The Challenge
We study and practice. Yet the question remains, “What now?” How do I make a musical connection to others? How do I apply my skills to real-world experiences? It’s frustrating that the craft of drumming, and the landscape of the music business is not an exact science. But there are things you can do; steps you can take; and changes you can implement to take you out of the practice room and into the music business. Let’s start by planning and then by taking a look at your goals.
Take stock
Examine your musical and professional experiences and goals. Where are you in your music career? How many shows do you play a year? Do you have the network you need to achieve your goals? Do you have any network at all? What do you want to be doing next month or next year? Are you on the outside looking in? If so, what must change? This type of personal assessment will be different for everyone depending on your hopes and dreams. Allow yourself the time for this evaluation. Perhaps even do some research. Be very clear about the type of drummer you are, and the types of playing at which you shine. Taking an honest look at your present situation will save time now and perhaps avoid future disappointment. It will also pave the way for your next step.
Find your pigeonhole.
Have a concise, truthful answer prepared to the “What kind of drummer are you?” question. Once you’ve decided, stick to the answer and tell people that answer when they ask! For drummers, this seems to go against our very core. We are taught to be well rounded and versatile. We should be open to many musical styles. However, it is also important to …
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If you are a music artist and you are hunting forward to breaking into the music scene with a bang, then you would have to have to have a demo and a way to distribute your music to as several men and women as attainable. There is nonetheless a part for music distributors in the digital age, even in the face of radical industry changes. It really is not possible to evaluation every single digital distributor in the globe, but when I did my initial analysis these were the firms that came up the most from other musicians I spoke with (and tweeted me).
New York City is the spot to be regardless of your skilled ambitions. Even so since that time, with the dwindling of funds for music education in our public schools, we now have artists calling themselves songwriters with small understanding of music theory, composition or song structure or appreciation for styles that came just before (to our detriment).
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